<?xml version="1.0" encoding="utf-8" standalone="no"?>
<!DOCTYPE article SYSTEM "http://www.soc-geogr-discuss.net/inc/sgd/copernicus.dtd">
<article language="en">
	<journal>
		<journal_title>Social Geography Discussions</journal_title>
		<journal_url>www.soc-geogr-discuss.net</journal_url>
		<issn>1816-1499</issn>
		<eissn>1816-1502</eissn>
		<volume_number>3</volume_number>
		<issue_number>3</issue_number>
		<publication_year>2007</publication_year>
	</journal>
	<doi>10.5194/sgd-3-237-2007</doi>
	<article_url>http://www.soc-geogr-discuss.net/3/237/2007/</article_url>
	<abstract_html>http://www.soc-geogr-discuss.net/3/237/2007/sgd-3-237-2007.html</abstract_html>
	<fulltext_pdf>http://www.soc-geogr-discuss.net/3/237/2007/sgd-3-237-2007.pdf</fulltext_pdf>
	<start_page>237</start_page>
	<end_page>272</end_page>
	<publication_date>2007-09-11</publication_date>
	<article_title content_type="html">From political construct to tourist souvenir &amp;ndash; building the &quot;National&quot; landscape through advertising in Galicia (Spain)</article_title>
	<authors>
		<author numeration="1" affiliations="1">
			<name>F. López Silvestre</name>
			<email>hafede@usc.es</email>
		</author>
		<author numeration="2" affiliations="2">
			<name>R. Lois González</name>
		</author>
	</authors>
	<affiliations>
		<affiliation numeration="1" content_type="html">Department of Art History, Universidad de Santiago de Compostela, P.O. Box Santiago de Compostela, Pza Universidade, 1, 15782, Spain</affiliation>
		<affiliation numeration="2" content_type="html">Department of Geography, Universidad de Santiago de Compostela, P.O. Box Santiago de Compostela, Pza Universidade, 1, 15782, Spain</affiliation>
	</affiliations>
	<abstract content_type="html">In the contemporary world there is a striking coincidence between the
methods used by nationalisms to foster the identification of the image of
their peoples through their own landscape and the marketing practices used
by public and private institutions to foster certain &quot;mass tourism
products&quot;
through easily identifiable features of the landscapes they want to sell. In
both cases the aim is to highlight difference by means of an essentialist
exaltation, or caricature, of certain elements in the landscape. By looking
closer to the case of Galicia (Spain) it is possible to demonstrate the
validity of this hypothesis. Just as there is a &quot;Castilian&quot; or &quot;Andalusian
landscape identity&quot;, there is also a &quot;Galician landscape identity&quot;, with
certain topographic, climatic, botanical and cultural elements that shape
landscape and distinguish it from others. However, ever since regionalism
and nationalism first latched on to territory in the 19th century, some
of these elements have been rather over-emphasised. The iconographic
elements that helped to define Galicia&apos;s national identity through its
landscape have been kept alive throughout the 20th century thanks to
tourist publicity. Are these elements still used in advertising today? Is
the nationalist imaginary really so different from tourist iconography? This
paper sets out to prove the insistence, by television advertisers working
for the Galician Autonomous (or Regional) Government, the &quot;Xunta de
Galicia&quot;, on the &lt;i&gt;Galicianness&lt;/i&gt; of the landscape, which is exalted by the use of elements
loaded with symbolic significance.</abstract>
	<references>
		<reference numeration="1" content_type="text"> Barthes, R.: Retórica de la imagen in, Lo obvio y lo obtuso. Imágenes, gestos, voces, Paidós, Barcelona, 27&amp;ndash;49, 1986, &amp;ndash;originally published in Communications, n$^o$4, Paris, 1964. </reference>
		<reference numeration="2" content_type="text"> Barreiro Paradela, L.: Nova Xeografía de Galicia pras escolas, P.A.G., Santiago de Compostela, 1936. </reference>
		<reference numeration="3" content_type="text"> Berque, A.: Du paysage à coeur joie [étude de la première édition de Histoire du paysage fran&amp;#x00E7;ais (Talandier, 1983) de Jean-Robert Pitte], L&apos;Espace géographique, XIII, 1, 35&amp;ndash;36, 1984. </reference>
		<reference numeration="4" content_type="text"> Carrere, A. and Saborit, J.: Retórica de la pintura, Cátedra, Madrid, 2000. </reference>
		<reference numeration="5" content_type="text"> Castoriadis, C.: La Institución imaginaria de la Sociedad. Vol. 2: El Imaginario Social y la Institución, Tusquets, Barcelona, 1989, in English: Polity Press, Cambridge,~1987. </reference>
		<reference numeration="6" content_type="text"> CRG: Concursos de `Céltiga, Fotografías artísticas de Galicia&quot;, Céltiga. Revista Gallega, Buenos Aires, 25th July, no. 14, 1925. </reference>
		<reference numeration="7" content_type="text"> Cuevillas, F. L.: O poema da seca in, Prosas galegas, Galaxia, Vigo, 1982, 11&amp;ndash;13, original of 1926, 1982. </reference>
		<reference numeration="8" content_type="text"> Chaquin, F.: Paysage du peintre, in: Les Lieux de memoire, edited by: Nora, P., La Nation, Gallimard, Paris, 2(1), 1986. </reference>
		<reference numeration="9" content_type="text"> Daniels, S.: The political iconography of woodland in later Georgian England, in: The Iconography of Landscape, Essays on the simbolic representation, design and use of the past environments, edited by: Cosgrove, D. and Daniels, S., Cambridge University Press, Cambridge, 43&amp;ndash;82, 1988. </reference>
		<reference numeration="10" content_type="text"> Daniels, S.: Fields of Vision. Landscape Imaginary &amp; National Identity in England &amp; the United States, Polity Press, Princeton, 1992. </reference>
		<reference numeration="11" content_type="text"> Gadamer, H.-G.: Vérité et Méthode, Ed. du Seuil, Paris, 1976. </reference>
		<reference numeration="12" content_type="text"> García &amp;#x00C1;lvarez, J.: Territorio y nacionalismo: la construcción geográfica de la identidad gallega (1860&amp;ndash;1936), Xunta de Galicia, Santiago de Compostela, 2002. </reference>
		<reference numeration="13" content_type="text"> Gombrich, E.: La verdad y el estereotipo, in: Arte e Ilusión, Destino, Barcelona, 1998, 55&amp;ndash;78, Washington D. C., 1959. </reference>
		<reference numeration="14" content_type="text"> Gombrich, E.: La imagen y el ojo. Nuevos estudios sobre la psicología de la representación pictórica, Alianza, Madrid, 1987, 1st ed. London, 1960. </reference>
		<reference numeration="15" content_type="text"> Gombrich, E.: The Preference for the Primitive, Episodes in the History of Western Taste and Art, Phaidon, London, 2002. </reference>
		<reference numeration="16" content_type="text"> Guillet, F.: Naissance de la Normandie (1750&amp;ndash;1850). Genèse et épanouissement d&apos;une image régionale, Terrain. Revue d&apos;ethnologie de l&apos;Europe, Paris, September, 33, 145&amp;ndash;156, 1999. </reference>
		<reference numeration="17" content_type="text"> Guillet, F.: Naissance de la Normandie: genèse et épanouissement d&apos;une image régionale en France: 1750&amp;ndash;1850, Annales de Normandie, Caen, 2000. </reference>
		<reference numeration="18" content_type="text"> Guillet, F.: L&apos;image des rivages normands dans les guides touristiques du premier XIXe siècle Annales de Normandie, Congrès des Sociétés historiques et archéologiques de Normandie, Caen, 2002, vol.7, 109&amp;ndash;120, (Bains de Mer et Thermalisme en Normandie, Actes du XXXVIe congrès des sociétés historiques et archéologiques de Normandie, Trouville, 18&amp;ndash;20 Oct. 2001; texts gathered and published by Jean-Paul Hervieu, Gilles Désiré dit Gosset et Éric Barré). </reference>
		<reference numeration="19" content_type="text"> Hall, S.: The spectacle of the &quot;Other&quot;, in: Representation. Cultural Representation and Signifying Practices, London, Sage Publications, 257&amp;ndash;268, 2002. </reference>
		<reference numeration="20" content_type="text"> Jeanneney, J.-N. (sous la direction de): Une idée fausse est un fait vrai. Les stéréotypes nationaux en Europe, Odile Jacob, Paris, 2000. </reference>
		<reference numeration="21" content_type="text"> Kessler, M.: El paisaje y su sombra, Idea Books, Barcelona, 2000, &amp;ndash;in French: Paris, 1999. </reference>
		<reference numeration="22" content_type="text"> López Silvestre, F.: El discurso del paisaje. Historia cultural de una idea estética en Galicia (1723&amp;ndash;1931), Universidad de Santiago, Santiago de Compostela, 2005. </reference>
		<reference numeration="23" content_type="text"> López Silvestre, F.; Sobrino Manzanares, M. L. (eds.): Nuevas visiones del paisaje: la vertiente atlántica, Xunta de Galicia, Consellería de Cultura e Deporte, Centro Galego de Arte Contemporánea, Santiago de Compostela, 2006. </reference>
		<reference numeration="24" content_type="text"> Murguía, M.: Introducción&quot; in, Galicia, Sálvora, Santiago, 1985, V-VI, originally published in Barcelona, 1888. </reference>
		<reference numeration="25" content_type="text"> Murguía, M.: Los Precursores, Edinosa, Biblioteca de Autores Gallegos, A Coru&amp;ntilde;a, 1995, originally published in La Voz de Galicia, 1885. </reference>
		<reference numeration="26" content_type="text"> Osborne, B. S.: The Iconografy of nationhood in Canadian art, in: The Iconography of Landscape. Essays on the simbolic representation, design and use of the past environments, edited by: (Cosgrove, D. and Daniels, S.,Cambridge University Press, Cambridge, 162&amp;ndash;178, 1988. </reference>
		<reference numeration="27" content_type="text"> Otero Pedrayo, R.: Prólogo, in: Guía de Galicia, Espasa-Calpe, Madrid, 1926, 10 and following. </reference>
		<reference numeration="28" content_type="text"> Otero Pedrayo, R.: La estética del paisaje, in: Guía de Galicia, Galaxia, Vigo, 188 and following, 1980. </reference>
		<reference numeration="29" content_type="text"> Pena, M. C.: Pintura de paisaje e ideología. La generación del 98, Taurus, Madrid, 1982. </reference>
		<reference numeration="30" content_type="text"> Pringle, T. R.: The privation of history: Landseer, Victorian and the Highland myth, in: The Iconography of Landscape. Essays on the simbolic representation, design and use of the past environments, edited by: Cosgrove, D. and Daniels, S., Cambridge University Press, Cambridge, 1988, 142-161. </reference>
		<reference numeration="31" content_type="text"> Risco, V. M.: O sentimento da Terra na raza galega, Revista Nós, Ourense, 30th October, 1, 1, 6, 1920. </reference>
		<reference numeration="32" content_type="text"> Rubert de Ventós, X.: Crítica de la modernidad, Península, Barcelona, 1986. </reference>
		<reference numeration="33" content_type="text"> Santos, X. (coord.): [Catalogue of the exhibition] Galicia en cartel. A imaxe de Galicia na cartelaría turística, Universidade de Santiago de Compostela, Santiago, 2005. </reference>
		<reference numeration="34" content_type="text"> Saurín de la Iglesia: &quot;Lugar mais hermoso...&quot; in, Apuntes y documentos para una historia de Galicia en el siglo XIX, Diputación Provincial, La Coru&amp;ntilde;a, 7&amp;ndash;21, 1977. </reference>
		<reference numeration="35" content_type="text"> Walter, F.: Les figures paysagères de la nation. Territoire et paysage en Europe (16e-20e siècle), Éditions de l&apos;École des Hautes Études en Sciences Sociales, Paris, 2004. </reference>
		<reference numeration="36" content_type="text"> Warnke, M.: Political Landscape. The Art History of Nature, Reaktion Books, London, 1994. </reference>
	</references>
</article>

